OBAAT is
lucky to have sit for Twenty Questions another of the burgeoning number of
writers who are making 280 Steps a publisher rapidly earning its cred. Josh K.
Stevens’s new book, Scratch the Surface,
is a “fun pulp joyride,” according to no less a source than Victory Gischler. (Gun Monkeys, The Deputy.) Josh’s short
stories have been published in RAGAD, Boston Literary Magazine, The Woodstock
Independent, 55 Words and decomP. His first novel, Bullets Are My Business, was released in 2012. Josh lives in the
Midwest with his wife and children.
One Bite at a Time: Tell us about Scratch the Surface.
Josh K. Stevens: Scratch
the Surface is the first book in the Deuce Walsh trilogy, arriving
back-to-back this year. Deuce Walsh is
a wiseguy who was left for dead. He’s leading his life as a regular Joe under
an assumed identity and gets pulled back in to the life when his brother-in-law
is in danger. The only way out is to finish one last job and hope that he makes
it out alive.
OBAAT: Where did you get this idea, and
what made it worth developing for you? (Notice I didn’t ask “Where do you get
your ideas?” I was careful to ask where you got this idea.)
JKS: The main
character, Deuce Walsh, had been lurking around in my head for years and, one
day, when I was working overnights doing security, I started thinking (and I
had a lot of time to sit and think) that my wife never questioned whether or
not I was actually going to work. She just assumed that I was always where I
said I was going. It was one of those random thoughts that should’ve just come
and gone but this one didn’t. It took root and then started to sprout and grow.
I started to realize that, as long as I
left the house at the time I normally did and came home at the normal time, no
one would know if I called in sick once or twice and got up to no good. As long
as I didn’t get fired, it would just be assumed that I was going to work, going
through the motions. This got me thinking about the fact that, if you came up
with a good enough back story, no one would ever question what you did before
the present time. It was a perfect case of dual identities. For some reason, I
found this absolutely fascinating.
OBAAT: How long did it take to write Scratch the Surface, start to finish?
JKS: From the moment that the idea hatched to completion was
a few years. Scratch the Surface
actually started out as standalone book and about halfway through, I realized
that I was telling two separate stories from Deuce’s life. Once I realized
that, the book was done in about three months.
OBAAT: Where did Deuce Walsh come from? In
what ways is he like, and unlike, you?
JKS: Surprisingly, Deuce Walsh came about completely by
accident. I was working at a bookstore and one of the employees took a phone
call. She misheard the caller’s name as Deuce Walsh and, for some reason, I
immediately thought, “There’s a story waiting to be written with that character
as the protagonist.” I latched onto it and filed it away, waiting for the right
story to present itself. When the story idea arose, I started seeing that Deuce
and I are very similar in nature. We both had some good times in our glory days
and, while we’ve both moved on to bigger and better things in adulthood, it’s
hard not to think back on those days and pine after the simplicity, the lack of
responsibility, the lack of monotony. Deuce and I have far too many
similarities to count. Our differences? I haven’t stabbed anyone in the hand. Well…
not on purpose… yet.
OBAAT: How did Scratch the Surface come to be published?
JKS: My premiere work (Bullets
are My Business) was an e-reader exclusive and I had the great fortune to
have the wonderful folks over at 280 Steps stumble across my premiere work. One
day I got an e-mail via Facebook telling me how much they enjoyed it and asking
me if I had anything else that I was working on. I was taken aback but
extremely intrigued so I wrote back and sent over some sample chapters of a few
pieces that I was working on. After some back and forth between myself and 280
Steps, we both decided that we would be a good fit for one another and the
rest, as they say, is history. The folks over at 280 Steps have been
extraordinary to work with from the get go. They were always there to offer
assistance, they were quick to respond, the editors really put the time and
effort into making sure that the work was polished fully, and the artists who
did the covers were just fantastic. I really do think that made a world of
difference. I hope that we have a long relationship!
OBAAT: What kinds of stories do you like to
read? Who are your favorite authors, in or out of that area?
JKS: I seem to always be drawn back to books that have a
post-apocalyptic setting, which is strange, but I generally like to read horror
and crime fiction. One of the best books I’ve read in a long time was Justin
Cronin’s “The Passage” and “The Twelve”. Just absolutely stunning characters,
fantastic plot, crystal clear settings. Blew me away. My favorite authors? Best
to try to narrow it down to a top five list: Stephen King, Charlie Huston,
Mickey Spillane, Charles Bukowski, and Edgar Allan Poe.
OBAAT: What made you decide to be an author?
JKS: Ever since I was a little kid, I’ve
always had stories just bouncing around in my head. I remember that when my kid
sister and I were young, we would play with our toys and we would have
elaborate plots and stories that spanned weeks at a time. As I got older, the
stories were still there, but I had nowhere to put them. I started writing them
down in high school, short stories here and there, and two “novellas” that
starred my friends at the time. I started writing just so I had an outlet for
the voices in my head. I think that I really decided that I wanted to be an
author when I was working at the bookstore. I had been an avid reader for as
far back as I could remember, but it really dawned on me that authors had such
an effect on who I was and what I had become. I really just want to be able to
push someone to follow their dreams. If my books make it to one person’s hands
who reads it and says, “This inspires me do chase my own dream,” then I’ll
consider it a success.
OBAAT: How do you think your life
experiences have prepared you for writing crime fiction?
JKS: Ha. I don’t know that my personal life
experiences have prepared me for anything. For some reason, I’ve always been
fascinated by crime and criminals. I’ve read countless books and watched far
too many movies and television shows and I’ve always rooted for the anti-hero. Something
about a flawed character has always appealed to me. Maybe that’s what’s
prepared me? The fact that I’m flawed? Or maybe I started writing so I didn’t
go out and knock over a bank.
OBAAT: What do you like best about being a
writer?
JKS: I think my favorite thing about being
a writer is hearing people’s reactions to my work. Good or bad, I like to think
that I’ve at least made people feel something. The characters that I created
are doing what they’re supposed to be doing, getting inside someone’s mind and
kicking around a little bit. I like the idea that, with my work, I can at least
alter the way they look at the world even if just for a moment.
OBAAT: Who are your greatest influences?
(Not necessarily writers. Filmmakers, other artists, whoever you think has had
a major impact on your writing.)
JKS: So many people have been an influence to me. The people
that influenced the style that I write in are Quentin Tarantino and Robert
Rodriguez, Charlie Huston, Stephen King, Denis Leary, and all of the
hard-boiled pulp novelists of the forties and fifties. However, I’m really
influenced on a daily basis by the people that I come in contact with. So much
of what is said and done throughout the course of my day is put into a vat in
my mind and left to stew all day. Every person in all of my stories is based on
someone I know. Not everyone would be thrilled by that knowledge, but that’s
what happens. As the saying goes: don’t piss off the writer or you’ll end up in
his book.
OBAAT: Do you outline or fly by the seat of
you pants? Do you even wear pants when you write?
JKS: I generally start out with an idea or a single scene
revolving around the main character. I usually write down notes throughout the
day of things that I want or need to have happen but, beyond that, I don’t
outline. I’m basically watching a film in my head and corresponding the play by
play as I see what the characters do in the situation that has been presented
to them. That’s the way I’ve always written. I may give the characters life,
but they create their own destiny. And pants… well, pants are always optional. I
generally wear them, but only because I just happen to have them on when I
first sit down.
OBAAT: Give us an idea of your process. Do
you edit as you go? Throw anything into a first draft knowing the hard work is
in the revisions? Something in between?
JKS: I start by just working to get the whole story down on
paper. While I’m writing the first draft, I keep notes of plot points or
character development that I want to add later, but I usually just put my head
down and barrel through. Once I’m done, I go back to the beginning and do the
initial edits. Then I go through and polish up.
OBAAT: Do you listen to music when you
write? Do you have a theme song for this book? What music did you go back to
over and over as you wrote it, or as you write, in general?
JKS: I always listen to music as I write. Generally,
what I listen to depends on the scene that I’m writing. If I’m in the midst of
writing a fight scene or an action scene, I’ll find a pumping song that I’ll
put on repeat until I’m done with the scene. I have a track listing for the
“soundtrack” to the book (you know… to make life easier if anyone ever wants to
make it into a movie…) For this book (and for the trilogy in general) I found
myself continually listening to Lana Del Rey’s albums. When I was writing the
final chapter of the book, I listened to her song “Ride” over and over again. It
was kind of the perfect piece for the finale of Scratch The Surface, so if I had to choose a theme song for this
book, I’d say that’s it. Either that or “Short Change Hero” by The Heavy. That
was on constant rotation as well.
OBAAT: As a writer, what’s your favorite
time management tip?
JKS: Honestly, I’m terrible with time
management. I personally do my best work when I’m in the eleventh hour of a
deadline and there is a gun to my head. There were many nights that I started
writing at 9:00 and didn’t get to sleep until 4:00. As long as you can get it
done before the deadline, I say, do whatever works.
OBAAT: If you could give a novice writer a
single piece of advice, what would it be?
JKS: The best advice that I can offer to anyone was given to
me by author Marcus Sakey and it was legitimately one of the best pieces of
advice that I’ve ever been given, “Keep your ass in the chair and your fingers
on the keys.” That’s the only way that you’re going to get anywhere as a
writer. That’s how you create and that’s how you learn. That’s where you’re
going to find the voice that works for you. Always be writing.
OBAAT: Generally speaking the components of
a novel are story/plot, character, setting, narrative, and tone. How would you
rank these in order of their importance in your own writing, and can you add a
few sentences to tell us more about how you approach each and why you rank them
as you do?
JKS: Well, that’s like asking me to choose my favorite child!
Each one is special in their own way but, to me personally, I’d have to rank
them character, story, tone, narrative, and setting. Character is most
important to me because they are the ones that drive everything else. I always
start with the characters and get to know them before I put a single word on
the paper. They’re the ones who are going to lead me through the story, they’re
going to create the tone, the voice of the piece. They’ll let me know where
they need to be at any given point in order to get done what needs to be done. When
I’m in the chair, writing, my characters show me what they need to do and I
follow their lead. Wow…That actually makes me sound like a schizophrenic…
OBAAT: If you could have written any book
of the past hundred years, what would it be, and what is it about that book you
admire most?
JKS: From a strictly greed based, financial standpoint? Any
of the seven Harry Potter books. Honestly though, I’d probably have to say “To
Kill a Mockingbird”. Harper Lee put out one book and it literally changed the
world. It’s still being discussed today, studied, and read today. That’s quite
a feat.
OBAAT: Favorite activity when you’re not
reading or writing.
JKS: I’m a movie/television junkie, so I
spend a lot of time catching up on that. Presently, I’m making my way through
“Californication” and loving every second of it. I listen to a lot of music
and, once a year I make what I call a “life mix”, creating a soundtrack to the
previous year. I love roller derby so I go to that when I can. My favorite past
time though is spending time with my kids and reliving my childhood.
OBAAT: What are you working on now?
JKS: As far as writing goes, while I’ve got several story ideas
kicking around in my head at the present time (a couple of full-on pulp novels,
a contemporary western, and a young adult book) I think that the first project
I’m going to undertake is polishing up a work that I finished about ten years
ago and has been sitting in a drawer ever since. The tentative title is “Smooth
Beans” and it’s another pulp thriller that centers around a couple of
twenty-somethings working at a chain coffee house. They receive a box of
smuggled diamonds at their location that were supposed to sent to the corporate
office. They decide that this is fate interjecting and they decide to try to
fence the diamonds. A series of events unfolds that forces them to hole up in
the coffee house and general chaos ensues. Ever since I started writing this,
many moons ago, I kept having the tagline run through my head “What if you fell
ass backwards into a life of crime?” Beyond that, I’ve been slowly working
towards opening my own bookstore and I’d like to put some focus on that so that
I can make sure that like-minded people have a place to come and discuss the
written word.
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