Friday, September 15, 2017

2017 Creature, Crimes, and Creativity Conference, Part I

The 2017 Creatures, Crimes, and Creativity Conference in Columbia MD is history. The fifth C3 continued the progress of its predecessors and raised the bar even higher for next year’s. As with any event where multiple sessions are always underway, all I can do is to judge highlights from my perspective, but that’s okay. My perspective is the one I care about.

One caveat in advance: I took notes the best I could, but I am not a stenographer. Nor does my handwriting become more legible as I hurry. Apologies in advance for missed quotes, misquotes, and misattributions.

Friday September 8
Jason Bourse, Lara Croft, or Bruce Lee: Getting Fight Scenes Right
Moderated by yours truly with panelists David Swinson, Michael Black, Jonathan Maberry.

I hit the ground running with this high-profile panel. We covered plenty of tips, advice, pet peeves, dos, and don’ts, including:
  • Cops are always aware of what is behind the target when they’re thinking of shooting.
  • Many martial arts are sports, not self-defense techniques.
  • Street fights are different and tougher than a competition or practice.
  • How to look for possible weapons in any situation.
Oh, and Jonathan showed us how beat hell out of someone with a shot glass.

High Tech, Hunches, or Shoe Leather?
John Gilstrap, Bernard Shaffer, Rick Ollerman, Walter Curran (Moderator)

This panel looked not only at some techniques, but examined truths we should all think about when discussing law enforcement, whether fictional or real. John Gilstrap pointed out the author doesn’t have to know what the character knows; he just has to convince the reader that the character does. He also noted that if you took sirens off firetrucks you’d have 25% as many firefighters.

Bernard Shaffer followed up with a point that cops’ personalities are pretty much the same around the world.

Both agreed that cops, firefighters, and other first responders have to walk into the worst moments of people’s lives and bring order. Bernard added that we don’t do a very good job of keeping the wrong people out of the jobs.

Seducing Your Readers in Chapter One.
John Gilstrap, Sandra Campbell, Bill Rapp, Denise Camacho (Moderator)

A lively panel that discussed how to hook readers early, though not necessarily in the first paragraph or sentence as some would argue. The two money quotes were both Gilstrap’s, who said the key to any story is interesting people doing interesting things in interesting ways in interesting places, and reminded us all that the beginning of the book is not the beginning of the story, using Harry Potter as an example. The story begins with Harry’s parents and Snape at Hogwarts. The book begins substantially later.

Booze, Unemployment, or Drugs: Developing Flawed Characters
Peter Blauner, Chris Bauer, Jeff Markowitz, Eric Gardner (Moderator)

Jeff Markowitz believes there’s one thing he needs to know when creating a character. It can be just about anything, but it’s the hook on which he’ll hang the characterization.

Peter Blauner spent six months with probation officers researching his first book. They’re as much social worker as cop and get into the job to help people. Quote from a PO: First you want to help them, then you find they can’t change and you end up hating them.

Keynote address by Peter Blauner
The after-dinner address was entertaining and educational. It’s always fun to learn how top professionals’ careers end up not at all where they have begun, and to hear the twists and turns that brought them to where they are. Blauner is a rare combination, a writer who’s successful both as a novelist and in television. I believe his experiences in each taught everyone there something, regardless of their own experience level.

Well, yeah, then I went to the bar. A C3 bar hits the sweet spot. True, there aren’t as many people there as at Bouchercon, but that means you can actually talk to those you want to talk to, be heard, and you can get a frigging drink. Thanks to Bill Rapp, David and Catherine Swinson, Bernard Shaffer, Peter Blauner, Jeffery Deaver, and at least one other person whose names I’d remember had not I had that one last beer for what I think is the best discussion of craft I’ve ever had at a conference.

Saturday September 9
How to do a Great Book Signing
Austin Camacho, Jeff Markowitz, Patricia Hale (Moderator), and me.

Once again they put me to work first thing. I knew in advance this would be a lot of fun. Patricia set us up well, and Austin, Jeff, and I have been friends for a while now and had a ball playing off each other.

Bringing it all Together: An Example of Writing a Thriller
Jeffery Deaver

Jeffery Deaver took his time to walk us through his 13 Rules of Writing. I’m not going through them all—you want to know, get off your ass and go to a conference—but highlights included:
1. Define your goal as a writer.
2. Understand that your mission is to tell the most emotionally engaging story you can.
3. Writing fiction is a business, not an art.
8. Re-write, re-write, re-write. (See? I said I wouldn’t tell them all.)
10. Writer’s block does not exist.
And my personal favorite:
13. Be happy.

Jeffery was informative and entertaining and made the 45 minutes fly by. It was also gratifying to see Peter Blauner, David Swinson, and other established writers in the audience, still looking to learn.

Saturday’s lunch included me interviewing David Swinson, which was a treat in every way. Many thanks to organizer Austin Camacho and to David for allowing me to share the dais with a good friend and rapidly rising writer who truly does not appreciate how good he is.


We’ll have more on this year’s conference next week.

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