It’s not often that writers, even at my level of the food chain, get to celebrate two releases in the same week. Yet here I am, with two new books out in the past week.
One is a collaboration. I have a story in the anthology, The
Eviction of Hope, edited by Colin Conway. This is as unique a concept as
any anthology I’ve been part of, or heard of. I can’t do a better, or more
concise, description than Colin did, so here’s his idea of the book’s concept:
More than a century ago, developer Elijah Hope constructed a
state-of-the-art hotel. As the generations passed and tastes changed, The Hope
spent two decades as an underutilized office building before conversion into a
low-income housing project.
Rundown by years of human occupation, The Hope has become a
hollow shell of its once great self. It is home to drug addicts, petty
criminals, and those hiding from others. The city has long turned a blind eye
to The Hope as surrounding neighborhoods gentrified and pushed their
disaffected in its direction.
But now The Hope is preparing a return to its original
glory. The current owners plan to convert it into a boutique hotel. The only
thing standing in their way is the eviction of over one hundred units.
Each resident knew this fateful day was coming, yet most
chose to believe it would never arrive. They ignored the posted signs, the
hand-delivered warnings, and even the actual notices.
Many stayed until the bitter end.
These are their stories.
I’m delighted with how my story came out, and proud to have
been asked to contribute. It’s an excellent line-up of authors who all brought
their A games. Get your copy here.
On the personal front, Leaving the Scene is the sixth
Penns River novel, available from
Down & Out Books. As I deferred to Colin for the inside scoop on The
Eviction of Hope, I’m probably the best person to describe Leaving the
Scene.
The more things
change, the more they stay the same in Penns River. Stush Napierkowski has
retired, replaced by retired Boston PD captain Brendan Sullivan. Nancy Snyder
was promoted to deputy chief over several more experienced candidates. New
officers join the department.
Crime pays no attention. A woman dies in a hit-and-run the
night before Sullivan officially takes over. Patty Polcyn was seen by plenty of
people while in the company of a man no one recognized, who may—or may
not—drive a car consistent with tire marks left at the scene. The investigation
demands an intensive search that requires manpower Penns River doesn’t have and
loses steam as the day-to-day concerns of police work require immediate
attention: domestic disputes, petty theft, not so petty theft, armed robbery, a
visit from the Dixie mafia to shake down the town’s moonshine dealers, and a
few things that are the responsibility of the police only because no one else
takes care of them.
Sullivan doesn’t want the first homicide on his watch to be
an open file and tasks Teresa Shimp, the most junior detective in a squad
already down one, to spend as much time as she can on it. It’s Teresa’s first
gig as primary homicide investigator. She sticks with it, going back over
things to see what might make more sense as her knowledge of the case’s facts
expands until she has a eureka moment.
Sullivan’s approach differs from Stush’s enough to cause
friction in the department, and a personal dilemma for lead detective Ben “Doc”
Dougherty. Doc also has his parents’ failing health, a dramatic change in the
domestic situation of two young men he has become close to, and finding an old
friend has colored outside the lines vying for his attention.
Penns River’s cast changes, as do the roles they play. The
job is still the job.
LtS is the most Joseph Wambaugh-influenced of the
Penns River series in the manner of storytelling, jumping from anecdote to
anecdote to show the myriad of things cops have to deal with in a typical day.
I’m happy with how it came out. I hope you are, too.
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