It’s been busy in and around Castle Schadenfreude, so movie
watching took a bit of a hit. What we watched was good, so there’s that.
Legends of the Fall
(1995). Always worth watching. Great cast, all at the top of their games. Great
story,
where the individual trials of every character resonate and create
empathy. Well photographed. Well paced. A chick flick men can watch and not
feel as if their balls are shriveling scene by scene. One hell of a movie.
The Enemy Below
(1957). I saw this as a kid—read the book, too, in Reader’s Digest condensed version—and wondered how it might hold
up. It’s
even better than I remembered it, probably because I missed the
anti-war sentiments the first time around. They’re not all handled as smoothly
as they might be, and we’ve seen a lot of similar scenes since, but this was
good stuff for 58 years ago. One of Robert Mitchum’s best performances, with Curd
Jürgens a more than able foil as the U-boat commander. All the tension of an
excellent submarine/destroyer battle film—I’m a sucker for scenes inside a sub
that’s being pinged—with a good portrayal of men who’d rather be elsewhere,
doing their jobs. Well worth the time.
Glory (1989). As
in the event, the white officer (Matthew Broderick) got top billing, but the
black troops (notably Andre Braugher, Morgan Freeman, and Denzel Washington, in
an Oscar-winning performance) do all the work. Broderick’s generally a fine
actor, but he’s in over his head here, with an accent I tried to place for two
hours, but couldn’t. This is a great story, about the 54th
Massachusetts regiment in the Civil War, an all-black outfit led by white
officers who come to see why these men need to do more than dig ditches. Glory treads a fine line between the
glorification and horrors of combat. These men want to fight, and many of them
die horribly, but for a while they lived as equal men, at least in their own eyes,
and the eyes of their officers. One hopes that was enough for them.
Eddie Murphy:
Delirious (1983). Murphy’s first HBO special, filmed at DAR Constitution
Hall. Some of the topics feel uncomfortable thirty years later, but they’re
still funny, even if one feels awkward laughing at them in the 21st
Century. Murphy is a joy, embracing his new-found celebrity (he’s only 22 and
still working onSaturday Night Live)
without seeming to take himself too seriously. After the different phases of
his movie career, it’s easy to forget why younger comics like Chris Rock
worship at the altar or Murphy until one goes back to see him in his
unvarnished original incarnation. Laughed so hard my head hurt.
I miss that Eddie Murphy.
ReplyDeleteI've been a big fan since I first saw him om SNL, and it was good to be reminded what a unique talent he was. Our timing was good, too, as we'd just seen bits of his stuff on SNL during hs 40th anniversary show. He might have been the best, and most influential comedian, of his generation, influenced by Carlin and Pryor , and passing that along with his own twist to everyone else. Add that to his early movie work (48 Hours and Beverly Hills Cop), where they did some stuff n o one had done before. A trend-setter in a lot of ways.
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