The writing process fascinates me, if only because everyone
has their own. When I started out I read everything I could find on process
because, frankly, I had no idea what I was doing. Outline or no outline? How
detailed should the outline be? Detailed character sketches, or learn the
characters as I went? How many drafts?
Now that I’ve been doing it for over twenty years and have published
eleven books with another on the way (Leaving the Scene, available in May from
Down and Out Books, just sayin’), I have learned two things for sure:
1.
There is no “correct” process.
2.
Find what works for you and run with it. Refine
as needed.
My employment career taught me to be on the lookout for better
ways to do things. Not for the sake of change, but to be alert for situations
where change is necessary, if only because the conditions under which the
current process was devised no longer exist. For a writer, that may mean you know
more about writing than you used to.
I used to do a draft solely to refine descriptions. I eventually
realized the books I liked to read didn’t spent a great deal of time on
description things beyond what the reader had to know. So I cut this draft, along
with the amount of description provided. If I make a point to say the character
has striking blue eyes, there’s a reason for it. Even then, I’m not going to
spend a page on it. James Lee Burke can do that. The more astute among have
noticed I ain’t James Lee Burke.
I also used to invest a draft by going through each
character’s dialog individually in an effort to prevent characters’ dialog from
sounding all alike. Several years ago I decided I had reached a point where I don’t
need to spend that kind of time and level of effort. This is now incorporated
into the general revisions.
The end result is I now feel confident enough in my grasp of
what’s required not to have to so actively search out discussions on process.
That doesn’t mean I’m averse to learning what one of my favorites does. I’ve
written before about stumbling over a series of lectures by David Milch and how
they affected me; I’m sure you’ll hear about them again.
A few weeks ago Joe Lansdale made a series of Facebook posts
describing his process. That would be worth reading even if I weren’t a writer—I
suspect Lansdale’s grocery lists are entertaining—but these struck me for a
couple of reasons.
1.
They showed a process similar to what I appear
to be evolving toward.*
2.
They gave me ideas for what I might want to try
next.
I’m not going to go into them now, as we’re already over 500
words and what I have in mind will be at least twice that long again. Consider
this a teaser for what to expect the next couple of weeks. That will give me
time to look them over more fully and hopefully be able to better distill my
thoughts, which is why I blog in the first place: to distill my thoughts.
Anything you take away is collateral damage.
*-- Alas, he did not transfer any talent in these posts.
Such is life.
The process really is fascinating. Thanks for pointing the way to the Lansdale posts.
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