Winter's Favorite Reads

 Brown’s Requiem, James Ellroy. His first novel and a first-rate debut. Fritz Brown has enough resemblance to a traditional private eye for readers not to be made uncomfortable by some of his unorthodox activities. Ellroy’s style is not the staccato, scandal rag voice of his more recent work, but it ain’t Chandler, either. I’ve been thinking about going back to his earlier works for years, but my dissatisfaction with his last couple of books put some urgency to the idea. I’m glad I did. I’ll mine this vein for a while now.

 

The Delta Star, Joseph Wambaugh. I know I’ve said this about several writers, but here I go again: Not his best, but Wambaugh is so good even a pedestrian effort by his standards is still better than ninety percent of what else is out there. No one has ever conveyed how cops think and react better.

 

The Detective Up Late, Adrian McKinty. Sean Duffy is back, and the world is a better place for it. A Catholic detective in the Royal Ulster Constabulary during the Troubles, Duffy is assailed and mistrusted from all directions and has to fight to carve out his own niches of justice, or as close as he is allowed to get. McKinty’s writing is as good as ever and several years away has not diminished his ability to make Duffy’s saga compelling. The book reads as if it could be the end of the series, though the door is ajar for more should the author feel the impulse. Let’s hope he does.

 

Baseball Obscura 2024, David Fleming. Fleming wrote for the Bill James web site until James shut it down last fall. Fleming responded with the closest thing I’ve seen to James’s Baseball Abstracts since James wrote the Baseball Abstracts. The writing and analysis are predominant over the numbers and Fleming’s writing is up to the task. Early editions had too many typos, but my understanding is that corrections have been underway. Probably not of much interest to those who are not seamheads, but there’s a lot here for those who are.

 

And Every Man Has to Die, Frank Zafiro. Book Four of the River City series, and Zafiro keeps right on rolling. Each book so far has looked at different aspects of the police by using different characters, so the setting is truly paramount here. All the books read well as standalones, though I am enjoying going through them in order for the context provided.

 

Universally Adored and Other One Dollar Stories, Elizabeth Bruce. I’ve been a fan of Bruce’s writing since we were in a workshop together in 2002. Her novel, And Silent Left the Place, is among my favorites through several re-reads. Every story in this collection begins with “One dollar,” but where she goes from there is unique each time. Bruce has a gift for dialog and capturing emotions without beating the reader over the head to make sure they get it. A delightful and insightful collection.

 

Mucho Mojo, Joe Lansdale. The second Hap and Leonard has all the things people like me enjoy in Lansdale’s writing: humorous dialog, tongue-in-cheek descriptions, and plenty of action. The middle of this one is a little slow and I can live without some of the philosophical discussions the boys engage in, but this is a solid series I’m sure to return to.

 

The Last Good Kiss, James Crumley. This book gets better every time I read it. The story meanders and what the case is about doesn’t become clear until late, so if you like instant gratification, keep reading for the exquisite writing, which never becomes self-indulgent. The reveal of what’s been going on is jaw-dropping. Ross Macdonald never wrote a sicker family dynamic more beautifully.