Travel and prior commitments prevented me from writing about march’s left Coast Crime conference in Denver. I’ll correct that today.
A quick note: I’ve been to over twenty conferences since my
first, 2008’s Baltimore Bouchercon. I don’t take as many notes as I used to
because each year there are fewer things I haven’t heard. The list below is by
no means a comprehensive listing of all the interesting things I heard over
that weekend, just those that were new, or of special interest to me.
PIs: Historical & Modern
SJ Rozan: The PI is the embodiment of having to make a
difficult decision in an area of moral ambiguity.
Matt Coyle: PIs are the equivalent of the Western
gunslinger. Once he’s done the job, he’s not so useful.
SJ Rozan: Short stories are like a liquor story robbery: in
and out. Novels are long cons.
Noir: How Dark Can We go?
Christa Faust: Dark humor is a great way to help readers bridge
the gap to an unlikeable protagonist.
CF: Hard boiled + Down these mean streets goes a man who is
not himself mean. Noir = He’s mean, too.
CF: As an author, it can be hard to stick with a series.
“I’m married to this series and I love it. but look at the ass on that idea.”
CF: There’s no level of “how far,” but how you handle it. If
a scene can be cut and not hurt the story, cut it. Be as dark as you want, but
not just the sake of darkness.
Conversation notes (Christa?):
Let the queer characters be messy. Too many cis writers make
them perfect for fear of giving offense, which makes them two dimensional.
Humor can be a protective coating for the queer characters.
Medicine and Forensics:
DP Lyle: DNA is involved in less than 1% of cases.
The Craft of Writing:
Duane Swierczynski: A scene that comes to you right away is
likely a cliché.
Rob Hart: Doesn’t want ‘sensitivity readers;’ he wants
‘accuracy readers.’
RH: Does one draft backward so he’s not running out of
energy by the end.
Noir: Examining the Dark Side
Jon Bassoff: The reader doesn’t have to like the
protagonist; he just has to be interested in him.
David Boop: In noir, the pro is the con.
DB: the reader can only spend so much time in the dark
before you lose him. Comedy not only gives the reader a break, it intensifies
the next bad thing to happen.
Mark Bacon: Car dealers put GPS and kill switches in cars
for people with poor credit so they can keep them from driving the car and find
it without bothering with a repo man, This can cause serious problems when a
car dies on a busy highway.
Audience member: Postwar noir dealt with PTSD, though it
wasn’t called that then. Now (neo)noir is nihilism.
# # #
This was my second Left Coast Crime. Both were as well run
as any conference I have attended, and I’ve been to more than twenty. If you
get a chance to catch one – next year’s is in San Francisco - you should go. You won’t be sorry.
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