One Bite at a Time




Monday, March 26, 2018

The Given Day


I don’t usually post about individual books. Lots of people can dissect a book better than I and I’ll leave them to it. What I am qualified to write about are books that affect me in such a way I have to take a deeper look, bot at the book and myself. I read two of them almost back-to-back over the past few weeks.

First is Dennis Lehane’s masterpiece, The Given Day, describing the events leading up to the Boston police strike of 1919 as seen through the eyes of Boston cops and a fugitive African-American. The book covers the molasses explosion, the 1918 World Series players’ strike, race relations, labor strife, terrorism, income inequality, class warfare, and immigrant antagonism. You know, all the things that made—and continue to make—this country great.

There is no living writer I hold in higher esteem that Dennis Lehane, and I’m not sure there is any writer, living or dead, I’d rather read. To me, reading a Lehane novel is an event. They’re not all equally good—no one ever has or will meet that standard—and they’re not all equally weighty. What Lehane does better than anyone else is speak to me. He shares many of my sympathies and sensibilities and isn’t afraid to let them show in his fiction. What makes him special is how he can express those sensibilities and never stoop to proselytizing.

What is it about this book? It’s much longer than what I usually read. I don’t think I have an attention span that demands short novels, but most writers who can’t tell their story in 300 – 350 pages would have been better off doing so. (Much as I love his writing, James Ellroy’s books could often stand having a machete taken to them, American Tabloid the notable exception.) The Given Day comes in at twice that and I was sorry when it ended.

What readers most often overlook in a book like this is how funny it is. There are laugh out loud sections, and countless examples of the kind of situational and interpersonal humor that occur in daily life. It’s what keeps the book—and daily life—from being a slog from one bad situation to another.

Fiction is the art of telling truth through lies, and there is no greater example than The Given Day. None of the things that happen to his protagonists are documented, yet none strain the reader’s credulity. The most outrageous things, the things that might hint at shark-jumping, are all provably true. On January 15, 1919 in the North End neighborhood of Boston a large molasses storage tank did explode and a wave of molasses rushed through the streets at an estimated 35 mph, killing 21 and injuring 150. The Harvard football team was armed and sent to defend a bridge during the police strike, where they shot at protesters attempting to cross the bridge into the wealthier sections of the city. Several people were killed. These are facts.

It’s the made up stuff one can most easily believe. Their actions are born of human interaction, frailty, and vice. People are caught up in situations beyond them, overextend their power, and make mistakes that seem like good ideas at the time.

Ten years since The Given Day’s publication there’s something else that makes my hair stand on end: It’s now 100 years since the book begins, 99 since the strike, and it’s frightening and depressing to see how much has not changed. Immigrants are seen as threats, their goodness or badness of the individuals be damned. The unspoken policy of making every man feel secure so long as he can comfortably believe someone else is lower than he is. The almost pathological need for those at the top to keep everyone else in their places, the fiction of the American Dream be damned. It was a time of anarchist terror in Boston, and the predecessor of the FBI was only too happy to claim terrorists had blown the molasses tank, never retracting the argument after the explosion was proven to be the result of commercial negligence.

The Given Day is a reminder that those who come to great power and wealth in this country—the two are often sides of the same coin—did not reach those stations through philanthropy. They rose through ruthless ambition and did everything they could to pull the ladder up behind them. There are too many examples today to doubt this was the case a hundred years, and no reason to doubt it was the same a hundred years before that; it has always been so. The Given Day is a highly entertaining book that also takes the time to remind us that eternal vigilance, and maybe even a willingness to raise some hell, are all that separates the American idea of capitalism from feudalism on a given day.

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