John McNally occupies what is, at least in my experience, a
unique place among writers who share their advice about the craft: more than
authoring books on how to write, he talks about how to be a writer. They’re not
the same thing.
McNally has written three books on writing. The first, The Creative Writer’s Survival Guide,
talks about all the things to be considered when making writing a career that
don’t involve actual writing, such as making enough money to live on while your
career gets its feet under it, how to choose a writing program, how to handle
workshops, and publicity. Highly recommended for anyone considering writing as
a career, or in the relatively early stages of it.
His second book, Vivid
and Continuous, is the how-to writing book. It’s designed to be used as a
textbook, though it works well for individuals. It also lays out well for
anyone trying to get a better handle on things they might not have been ready
for on a previous reading. This is a book I take a look at every couple of
years and consider to be on a par with Stephen King’s On Writing.
We’re not here to talk about either of those today, as
McNally has released another book that deserves attention from writers of any
experience level. The Promise of Failure
(University of Iowa Press) is McNally’s examination of what it’s like for a
professional writer to have to prove himself again with every book. Sure, there
are writers who don’t have to deal with rejection anymore, if only because
their names have become so well recognized that people will buy their grocery
lists and wonder what was meant by “romaine lettuce.” Did she change her
mind about what kind of lettuce she wanted? Did someone tell her they didn’t
like romaine lettuce? Did she have a bad experience with romaine lettuce that
reared up from her subconscious mind after the list’s first draft? (“Then I
remembered when Algernon took me to my favorite restaurant to tell me he was
leaving, though he knew I was pregnant. A piece of romaine lettuce hung from
the corner of his mouth, waving insolently at me as he ruined my life. Until
then I loved romaine lettuce.”) No offense, but you’re not one of those writers.
You wouldn’t be reading this if you were.
What McNally does in The
Promise of Failure is to prepare the rest of us for the inevitable bumps in
the road. How to avoid as many of them as possible. How to make those we do
encounter smoother than they might otherwise be. How to find that failure
exists on multiple levels and is in large part defined by your personal
definition of success. How failure can in some ways be a good thing by freeing
you to try something you might not have done had “success” set you on another
path where the vistas weren’t as wide.
As with all of McNally’s books, The Promise of Failure is written in common sense, matter of fact
language. He has a working class background and has come up through the ranks
of writers by having made his share—and maybe then some—of choices he would
not, in retrospect, repeat. You know, just like the rest of us. The book isn’t
a lecture delivered from someone who has either won a Nobel Prize in
Literature, or thinks he should have had those Scandinavian pricks understood
the subtleties of the English language. McNally is your uncle—maybe a Dutch
uncle—sitting next to you at a quiet neighborhood bar making an effort to tell
you what to expect. Maybe you’ll get it, maybe you won’t, and maybe something
he says today will resonates later when you most need it. Whichever way, his
conscience is clear, and you walk away knowing he meant the best for you.
(Full disclosure: I read an advance copy provided by the
University of Iowa Press. I was a student in John McNally’s workshop during the
winter and spring of 2002 while he was George Washington University’s Jenny
McKean Moore Visiting Writer.)
