Interviews

I’ve been an intermittent interviewer for six years, doing a couple a year on average. I enjoy the process and try to strike a balance of questions no one else will ask with questions that are asked often because people want to know the answers. (Never “Where do you get your ideas?” I’ve never asked that question, and I promise you I never will.) I have kiddingly patted myself on the back several times when an interview is well received, “reminding” everyone the key to a good interview is in the questions.

Turns out I was right.

I never expected anyone to care enough about Wild Bill to want to ask the author about it. Thankfully, I was wrong about that. I’m in the process of replying to my fourth set of questions this week. Each interview has been unlike the others, and each has been fun. The questioners have approached Wild Bill, and me, in unique manners, so the questions have forced me to think about different things, and even to consider things I hadn’t thought of while I was writing the book. The interviews have been even more gratifying than the good reviews, in part due to the give and take, and, I think, because I’m flattered that someone took enough of an interest in the book to want to know more about where it came from. They have been an unadulterated blessing.

Some interviewers can get away with a list of stock questions they ask everyone. These interviewers either A) are well-known in their own right, or B) have a list of kick-ass questions. Anyone can generate a list of five questions off the top of their head, the questions they hope get asked at a book signing. Those are fine to work into a longer interview, but they don’t tell anything about this author and this book the reader couldn't have found elsewhere. They aren’t the way to get thoughtful answers unless the questions are unique and versatile. (Not “Where do you get your ideas?”)

Based on my experience on both sides of the equation, the best way to get a good interview is to make it obvious you read the book, and have generated questions based on things you found in the book. I don’t mean just about the story; many authors are reluctant to reveal spoilers in their own work. (What can you expect from prima donnas?) Ask about the writing, the characters, something unique about how a plot point was handled, the setting, any influences. Sure you can work in a few like “Why do you write in this genre?” or “Can you recommend a few books?” People want to know that and authors are happy to tell them.

If you really want a good interview, pick something from the book that stands out and ask about it. I have been lucky enough to interview Timothy Hallinan and Leighton Gage, who set their books in Thailand and Brazil, respectively. Both are witty, articulate, and fun. I doubt either of them could give a bad interview from inside an iron lung. Pick out something that stood out about either Thailand or Brazil and let them run with it. They’ll do the work for you.

The key to a good interview, like the key to any relationship, is to make the author feel as though you’re doing this interview because you want to interview that author, not just “I do a series of interviews and I couldn’t think of anyone better.” Don’t kiss ass, but don’t be afraid to stroke the author a little. I doubt you’d get good responses if the tone of the interview is, “Your book is a piece of shit, but I wondered how anyone could write something so horrible.” They may not warm to you; authors have egos, too.

And, if you ask “Where do you get your ideas?” you deserve whatever happens to you.

(Many thanks to Charlie Stella, Tim Hallinan, Pat Browning, and Karen Treanor for teaching me how much fun it can be to be the interviewee.)

More Christmas Wishes

Tim Hallinan, friend and superior author, has also found the poetry muse this Christmas. His is topical, and more generally entertaining.

E-Book Pricing: A Concisely Compiled Argument

Declan Burke's Crime Always Pays blog is a constant source of information and entertainment. Dec is also a tireless promoter of other writers and the go-to guy for information on Irish crime fiction. Today he touches all the bases on the current controversy of e-book pricing. Well worth a read for both writers and readers.

Wild Bill Finds His Secret Santa

Steve Weddle--co-editor of the collection Discount Noir* and contributor to many other fine collections--has posted his Christmas shopping recommendations over at the always worth reading Do Some Damage blog, and--it's a Christmas miracle!--Wild Bill has been included. While not even I would recommend reading this aloud to the tykes if Clement Moore can't be found, it might well make a nice gift for a Kindle- or Nook-toting adult who likes a brisk tale and isn't put off by a little sex and violence and foul language.

Mr. Weddle has put me in with some fast company, as he has also recommended books by Alan Heathcock, Bonnie Jo Campbell, John Hornor Jacobs, Benjamin Whitmer, Frank Bill, Lynn Kostoff, Duane Swierczynski, and Dennis Tafoya. Hop on over to DSD to read more about all of the above, as well as links to make your purchases easy.

Many thanks to Steve Weddle for putting his hard-earned cred on the line and vouching for me.

(* - Steve wrote what, to me, is one of the handful of greatest opening lines ever in his story, "Code Adam." "You just don't have the kind of day I was having and not kill someone.")

Happy Holidays From OBAAT

Another pass around the sun

Is ending for us all

And I confess, the year that ebbs

Has held us all in thrall

With ups and downs and downs and ups,

Our heads we could but shake.

A hurricane was not enough;

We had our own earthquake.

The Sole Heir’s news is only good,

Her options she surveyed,

And changed her school from U of M

To down St. Mary’s way

At southern tip of Maryland,

A place she much prefers,

So strongly that, two hours away,

We still can hear her purr.

Her next year may be better still:

In May she’s off to France

Where studies medical will get

Their first prolonged glance.

She’ll stay six weeks in sunny Nice,

A Riviera clime,

She’ll learn, she’ll work, she’ll play, she’ll tour,

The time should be sublime.

The Spouse Beloved had a year

‘Twould rattle lesser souls

Her craft room’s devastation set

Her back on several goals.

The water of her discontent

Has seen its flow abate,

Its renovation’s tardiness

Is gone, no more she waits

For closet and for storage space,

More room to work her crafts,

It’s coming all together now

Despite some minor gaffes.

My year, it had a couple downs,

Though ups will far outlast,

Like surgery on both my eyes

Means they’re no longer glassed.

Twin cataracts their view had dimmed

Until both were removed,

Bionic lenses took their place;

My vision’s much improved.

A book has been produced, my first

To place in public view,

And though the sales have not been brisk,

I’ve good reviews in lieu.

Kind words from several writing peers

Describe success to me,

Wild Bill was first, two more next year,

How well they’ll do, we’ll see.

A lot of other stuff occurred

But, frankly, little good.

And mighty bored you all would be

If tell it all I would,

So I will pass, because we know

That bad times always fade

There’s no point to remember them,

To rest they should be laid.

Now once again a year will end

And all will celebrate

The winter solstice holidays

Of any faith you fete,

We hope you have a happy time,

Kick back or tie one on

That’s all for now, we’re signing off,

Till Twenty-Twelve is gone.

Discipline

The end of the basement project is in sight. Much still remains to be done, but most of my work consists of carrying boxes downstairs so The Beloved Spouse can put things into their new homes. It’s time to get back to some semblance of normal life. That means my writing schedule has to ramp up.

That’s not the easiest thing to do. Getting back to work after taking off the summer is easy. I know going in I need to get busy again on the day after Labor Day. (Labor Day in the States is the first Monday in September.) It’s a clear-cut, binary decision.

This time the re-start is not so easily defined. Other habits that don’t require so much concentration have eased into what had been small pockets of time between tasks. Those pockets of time have grown, and the other habits have grown to fit the space available. An hour of 30 Rock reruns on Comedy Central now must be accommodated, as well as regular viewing of The Daily Show and The Colbert Report. Now it’s time to re-acquaint myself with a regular writing schedule.

Writing is not inspiration; neither is it patience. Writing is the discipline of finding something inside yourself that can pass as inspiration while forcing yourself to be patient at the same time you’re ignoring the siren song of something enjoyable that requires a lot less effort. (In my case, any televised hockey game.) To help with this, I have tasked myself with writing a blog post—either here or at From the Home Office—every Monday, Wednesday, and Friday. Inspiration is not required. Find a topic, sit my ass down and write about it.

This blog post is a example of what results when such a schedule has been set, self-discipline sits my ass down, and I got nothing.

Formatting Frustration

Now that sales of Wild Bill are firmly into double digits (36 and the last-minute Christmas shoppers haven’t been heard from yet), it’s time to turn my attention to what comes next. Sure, a lot of writers would see three dozen sales and kick back, figuring the mountain has been climbed. Not me. The public is fickle. Staying out of sight for too long can be death to a fledgling author. Sure, 36 is an impressive number, but drop off the radar and sales plummet. There’s no guarantee the next book would even break the prestigious 30 mark.

Fortunately, I have several novels on the hard drive (“in the drawer,” in traditional terms) that are ready to go, thanks to a myriad of gatekeepers who have for years been not just willing, but eager to tell me I was a fine writer, they liked the book a lot, and were sure I’d have no trouble finding someone (else) to publish it. The plan is to launch one every six months or so until the backlog has been worked down. Target date for Worst Enemies is March 1.

Of course, the book must be formatted for Kindle first. (I have learned the double O in Nook stands for total sales expected, at least in my case. Little time will be spent in that sales channel.) E-Book Architects did a great job with Wild Bill, and I’d go to them again in a heartbeat, but I wondered how hard it would be to do it myself. I work on computers all say. I’m no HTML programmer, but I was curious to see what was involved. I still had a plenty of time to involve E-Book Architects if I got in over my head.

Amazon has an easy to follow checklist with everything that needs to be done, including a free, downloadable program that will do the heavy lifting. I format Word documents well, having done several for POD books put out by my writers group in the past, and have learned to keep things tidy as I go.

I got the list, downloaded the software, and spent a few minutes each night for a week or so following the directions. I loaded what I had onto my Kindle and it looked great, with two exceptions. Chapters did not start on new pages, and all paragraphs had first-line indents, which I didn’t want.

The page breaks were easy. I’d fallen into the shorthand method of using Ctrl-Enter to start a new page. This doesn’t convert properly; I had to use the menu commands, Insert > Page Break. Easy fix. Took no more than fifteen minutes to correct all sixty-plus chapters.

The paragraph indents were made of sterner stuff. (I want the first paragraph of each chapter, as well as the acknowledgements, to be left aligned. The rest can be indented.) I tried a few things, even looked at the underlying HTML and experimented. No dice. Internet research showed those “we know what’s best for everyone” bastards at Amazon have Kindles set up to indent all new paragraphs by default.

(Note: I am using the slang definition of the term “bastard” to describe the powers that be at Amazon. Per Dictionary.com: a vicious, despicable, or thoroughly disliked person. I would never imply, and have no reason to suspect, that Jeff Bezos or any of his minions were conceived under other than honorable circumstances. I think the definition I have chosen is commonly accepted enough to negate any libel issues.)

More research turned me on to a procedure that should work, though it involved downloading two programs (both free), formatting the book in one, saving it as an EPUB file, then opening it in the other program to convert it to MOBI. It doesn’t strike me as being as hard as it looks here, and I have some time off coming up for the holidays.

I also have E-Book Architects’ address already entered in a draft email.