An Interview With Bill Rapp, Author of A Turkish Triangle

 Bill Rapp holds degrees from Notre Dame (B.A.), The University of Toronto (M.A.) and Vanderbilt (Ph. D.) and began his professional life teaching European History at Iowa State University. His 35 years U. S. Government service has taken him around the world, including to Berlin as the Wall fell.  Bill Rapp’s books include the mystery novels Angel in Black, A Pale Rain,  Burning Altars, Berlin Breakdown, Tears of Innocence, and The Hapsburg Variation.

 

Bill is a member of The Mystery Writers of America, International Thriller Writers, and The International Association of Crime Writers.

 

One Bite at a Time: Hi, Bill. Welcome to the blog. We’ve been friends for quite a while now thanks to the Creatures, Crimes, and Creativity conference, so it’s great to get you here. Your new book (released May 9 from Coffeetown Press) is A Turkish Triangle. What’s the quick description?

 

Bill Rapp: Hi, Dana, and first of all, thanks for inviting me to participate in your blog.  We have known each other for a while, and it sounds like you have a fascinating venue here.  As for A Turkish Triangle, this adventure finds Karl Baier in Turkey during the height of the Cuban missile crisis.  He’s been sent there to investigate the sudden deaths of three Soviet assets, whom the Agency has been running in Turkey.  While looking into the deaths, Baier comes to realize that the passing of the three assets is not the end of the story, something most would assume to be the case.  The Soviets discovered their betrayal and—as was often the case with the Soviets—the three men were eliminated.  Baier realizes that the story doesn’t end there, that this is actually a part of a longer and more ambitious scheme that goes well beyond the loss of three agents.  In fact, it is part of a broader scheme involving a number of Soviets, Turks, and even some Americans that could undermine not only the US position on the Cuban missiles, but also the US position in the Middle East and Europe.

 

OBAAT: Karl Baier has more going on than just being a CIA agent. What’s his backstory?

BR: Karl Baier comes from a family of German-Americans, his parents having fled Nazi Germany in the 1930s.  They were active in the Social Democratic Party in Germany, something that landed many in the concentration camps with a host of others.  Baier has retained his sense of a strong German heritage, but he is also fully committed to the United States and its postwar role in the world.  That’s what brought him to the CIA.  Like many educated Americans, his focus overseas has been on Europe—and Germany, of course—but he is also learning that he has to become familiar with a world and his nation’s responsibilities well beyond the good old world of the European continent.  It is the front line in the Cold War, but plenty of other challenges are emerging.

 

OBAAT: This is going to sound odd, but as a child of the Cold War, I think of it as the golden age of espionage. You and I are about the same age, which means the events you write of generally took place when we were too young to pay much notice to such things. What attracts you to this period and these stories?

BR: Ah, this is where my training in and love for history comes in.  Finding the settings for these novels in some of the high points of the Cold War allows me to combine two of my passions—history and intelligence—into a single series.  But beyond that it is also a time of growth and learning for the United States and the CIA.  We had to learn and grow into our new responsibilities and leadership as a nation, but also as an agency, an evolution that was not without its share of mistakes.  Unfortunately.

 

OBAAT: How much of what’s in A Turkish Triangle – all your books, for that matter - is drawn from actual events?

BR: Well, the three deaths is certainly fictional.  But the Cuban missile crisis is not, of course.  And I tried to tie the events in the story to developments in that crisis, especially near the end when Baier and a KGB officer discuss the near miss at a nuclear war.  That really happened.  The other aspect that one could say is drawn from actual evets is the manner and outlook of Baier and many of his colleagues.  I try to give an authenticity to these stories based on what I perceived to be an Agency culture, its standards and challenges, and the strong espirit d’corps.  (I think my French is correct there.)

 

OBAAT: Who are your major influences as a writer?

BR: That’s actually a pretty long list, and it probably looks pretty eclectic to most.  I guess you could start with Henry James and Joseph Conrad, then move on to F. Scott Fitzgerald and Earnest Hemingway.  More recently, I would point to Eric Ambler, Charles McCarry, Raymond Chandler, and Ross MacDonald.  They all brought something unique and gifted to their prose and storytelling, which I found essential when searching for my own voice.

 

OBAAT: You started out writing private eye fiction, a genre near and dear to my heart. What appeals to you about PI stories?

BR: You know, I started reading detective fiction when I was in grad school and looking for something to read other than history books.  That’s when I discovered Chandler and MacDonald.  I can’t count the number of times I’ve recommended Chandler’s “The Simple Art of Murder” or passages from MacDonald’s Lew Archer series to an aspiring writer.  I think that genre, when it reaches those heights is as literary as any other “serious” fiction.  At times, more so.  Eventually, I hope to get back to my Bill Habermann series, especially now that I’m back home in the Chicago area, where he worked.

 

OBAAT: What are you working on now?

BR: I figured it was about time for Karl Baier to do his tour in Vietnam.  In 1963/64 when I sent him there, it was our biggest deployment, at least until Iraq.  He would have been expected to do his part.  The challenge, of course, is to find a way to introduce some plausible skepticism into his mission without the benefit of hindsight that I have as an author.  But he will definitely sour on where US policy is going as we “Americanized” that war.  A major benefit I have, though, is that some of the academic studies on that war point to the skeptical and accurate CIA reporting and analysis about our predicament and the future prospects (or lack thereof) for our increasingly myopic and militarized course.  That gives me more to play with.

An Interview with Sam Wiebe, Author of Sunset and Jericho

 I first met Sam Wiebe at a Shamus awards dinner, where his book The Last of the Independents was nominated. As nice a person as you’re likely to meet, Sam is among the foremost keepers of the P.I. flame in his generation. It’s a treat on two levels to see he has a new book out: the book will be outstanding, and I’ll have an excuse to ask him back on the blog.

 

Sam’s newest is Sunset and Jericho which debuted April 15.

 

One Bite at a Time: Welcome back, Sam. It’s always fun to talk with you. You were last on the blog in March of 2022 for Hell and Gone. What’s been happening with you since then?

 

Sam Wiebe: Sunset and Jericho has occupied most of that year, as well as a standalone crime novel I’ve been working on. Some family drama as well, the fallout from a relative who was robbed at gunpoint in her home. 2023 already feels like it’s been six years long!

 

OBAAT: The new Wakeland novel is Sunset and Jericho. That sounds like it’s a corner in Vancouver, though I’m not ruling out the possibility it’s an Old Testament story in which Gloria Swanson figures prominently. Tell us about it.

 

SW: Sunset and Jericho is my favorite title I’ve come up with, and I think it fits the book, a modern day old school detective novel. It refers to two beaches in Vancouver, and the two bodies found on them that get the novel rolling.

 

OBAAT: What’s been going on with Wakeland and Chen since Hell and Gone, which was a trying time for them. (No spoilers, but you can tease.)

 

SW: Sunset and Jericho finds Wakeland pursuing a group of killers who, like him, are dismayed at the way the city seems to be changing, to only cater to the rich. What happens when you have more in common with the killers you’re chasing than with your wealthy clients?

 

Though Dave knows how they feel, he doesn’t give in to the same kind of violence. But someone close to him does.

 

OBAAT: You like to place Wakeland in crises of conscience. I’d describe what he dealt with in Hell and Gone, but you wove it so inextricably into the story anything I say would be a spoiler. What do you look for when pulling things together, and does the crisis of conscience come from the story, or do you build the story around the conscience issues you want to explore?

 

SW: The story should take precedence at all times—a detective novel should be fun to read, should have great characters in dynamic and challenging situations. But I also like there to be something more—not a message, or some profound idea, but some record of how things were in 2023.

 

Hell and Gone was about dealing with violence in its immediate aftermath. Sunset and Jericho is about the long-term, simmering effects of rage and resentment, and what happens when those boil over.

 

OBAAT: Last year you mentioned David Milch’s “Idea of the Writer” lectures. I didn’t mention it then, but I discovered those videos about the time the Deadwood movie came out. Watched them all, took notes, and compiled into a binder the bits that resonated most with me. (Bookmarked the videos in my browser, as well.) It changed my approach to writing for the better. The Beloved Spouse™ and I talk regularly about resting transparently and prepared spirits. What was your biggest takeaway from those videos? (Note to readers: They are available on YouTube.)

 

SW: Coincidentally, Milch hosted those talks during the last writer’s strike. I found them inspirational—you just don’t hear many people culling from both a deep vein of personal experience, as well as a long literary tradition.

 

The point I return to is simply that if you want to write, you should just do that, from a place of enjoyment and gratitude. Writing is hard work but it’s fucking fun.

 

OBAAT: What’s next on your agenda?

SW: I don’t know what the future holds for Wakeland (or his author). Giving as little away as I can, Sunset and Jericho provokes a crisis that might be an ending, or the start of a new chapter. I hope people come onboard—and Sunset and Jericho is the perfect book to do so.

 

Thanks, Dana!

Escape to New York

 My memories of reading at Shade on April 23 are still vivid and nothing but pleasant. To give you an idea of what a great experience it was, let’s look at what we had to do to get there.

 

(Fair notice: Our train was scheduled to arrive at 3:52 for an event that began at 6:00. The cab ride to the hotel was 2.8 miles straight down 7^th Avenue; the walk to Shade was five blocks. I figured two hours would be plenty of time, but I’ll accept responsibility for cutting things close.)

 

The Beloved Spouse™ and I decided to grab an early lunch, not knowing when we’d have a chance to eat again. Since we had to stop at Walgreen’s to pick up prescriptions, and there’s a Subway fifty yards away, we chose to get sandwiches. The sandwiches were good.

 

We both made pit stops before leaving for the train station. I needed to spend some time with myself (our euphemism for “dropping a deuce”), and did so without incident until I discovered there was no toilet paper. I had to dig paper towels that didn’t look too grotty from the trash can. Said paper towels were the brown kind that still have little chunks of wood in them. Big fun.

 

Standing on the platform, our train approaching, TBS remembered she left her prescriptions in the car. One of those prescriptions was for her restless leg medication. No one is sleeping tonight.

 

The train ride itself was not how I remembered them. (Granted, my most recent train trip was in May of 2019.) The ride was too bumpy to read, the seats were not quite uncomfortable, and the car was stuffy. The train was a few minutes late getting into the Baltimore Airport Station, then paused for close to half an hour outside of Newark to accommodate double tracking.

 

Penn Station’s platforms bore an unseemly resemblance to the crowd trying to catch the last helicopter out of Saigon in 1975. The signage may be sufficient for those who pass through there regularly. We had to ask a knowledgeable-looking gentleman (looks can be deceiving) and a cop before we found 7^th Avenue. (The cop was truly one of New York’s finest and got us oriented straightaway.)

 

Hitting 7^th Avenue, I immediately learned two things.

1. Madison Square Garden is directly across the street from Penn Station.

2. A Knicks playoff game had just ended. The crowd outside the station made what we found inside seem like midnight at an assisted living facility.

What I thought would be an easy matter of grabbing a cab from an awaiting rank turned into me going into the street between cars to grab a cabbie’s attention.

 

Our driver knew about four words of English. “Where to?” came up first. TBS got in front and showed him. She had to point out our hotel on his phone GPS to make sure he didn’t take us there via Hoboken. (I already knew the route, so any turns would have been noticed, possibly causing an international incident, as my patience was already frayed.)

 

He took us to the hotel, which was unrecognizable, thanks to construction that obscured all identifying information. This was when we got the rest of our cabbie’s English: “Sixteen eighty.”

 

The time was 5:10.

 

The hotel staff could not have been nicer, nor more helpful when I wanted to verify my walking directions and where to get a cab the next morning. The walk to Shade was as expected, and seeing the sign over the door was as welcome a sight as when my covid tests started coming back negative last summer.

 

As noted before, the event was, for me, close to perfection. Outstanding venue, great readers, and a chance to see some dear friends. It went so well we decided to walk back to the hotel.

 

No, we did not get mugged. That part of Greenwich Village is probably as safe as any, there were still a goodly number of people about, and muggers will generally look elsewhere before tangling with a six-foot-plus, 220-pound man.

 

What we did see were copious numbers of plastic trash bags on the sidewalks; Monday must be trash day on Sullivan Street. Encountering the stray rat wasn’t a complete surprise, though it was a bit unnerving that he ran so close toward us. What was truly unexpected were the dozen or more that stampeded in our direction right behind him. I hadn’t seen that many rats move that quickly as a group since the movie Willard.

 

None of this detracted from the rush we got from the Shade reading, though I must admit, it’s going to take something else of that magnitude to get this small-town boy back to Manhattan.

Malice Domestic 35

 The (once again) annual Malice Domestic conference took place last weekend in North Bethesda* MD. (Up yours, covid.) Malice caters to traditional and cozy mysteries, and I say with little fear of contradiction I do not write either. With that in mind, people I trust said things were opening up a little and that I should give it a try.

 

That’s why I trust those people.

 

I’ll be honest: Malice is still not quite in my wheelhouse. The panels are geared for more traditional tastes, and only a handful of the people I typically hang with at conferences were there. With that out of the way, The Beloved Spouse™ and I are both glad we went.

 

Things got off to a less than auspicious start. I was sitting in the front row of the “Malice 101” session wearing my “What Would Al Swearengen Do?” tee shirt when one of the presenters politely tapped me on the shoulder and asked, “What’s a Swearengen?”

 

That tells you a lot about Malice. Nicer people cannot be found, though most do not share the tastes of those I usually pal around with. That’s on me, and I readily accept it.

 

A few highlights:

 

Gabrielle St. George is negotiating to have her books made into a TV series. Her protagonist is 53, with grown children. The TV folks told her the hard cutoff for female protags is 36. The character will be 36 in the TV show; how old she was when giving birth is still under negotiation. (I don’t want to put words in Gabrielle’s mouth, but my first thought was “Why in hell did they want to buy the rights if the first thing they wanted to do was fundamentally change the primary character?”)

 

Catriona McPherson is hilarious.

 

Lord knows Hank Phillippi Ryan doesn’t need me to pump up her career, but I have to say she might be the best moderator I’ve ever seen; certainly none better. Most of the notes I have from her “If It Bleeds, It Leads” panel are tips on how to better moderate panels. Examples:

·       Trim the bios down to almost nothing. Time is precious and everyone’s CVs are in the program.

·       Don’t be afraid to interrupt a panelist who is rambling. Grab onto something they said and deflect the conversation to another panelist.

·       Hank read the opening of each panelist’s book as a game to see if we could guess who wrote it. I’m thinking to do this first, in place of the bio, as a way to set the tone for that author’s work. (I won’t have no bios, but will maybe keep them to 50 words or fewer.)

 

With a Western on the horizon, I am already grateful to Allison Montclair (not his real name) for making me aware of Etymology Online

 

Gabriel Valjan’s panel on “Social Issues in Police Procedurals” skirted the swamp on trigger warnings. I hope to have more about that in a little while here on the blog.

 

My panel (Small Town Cops) was moderated by Marcy McCreary and included Sarah Bewley, Justin Kiska, and James L’Etoile. Marcy kept things moving and the group had good chemistry. It must have gone pretty well; I sold three books as a direct result.

 

No conference would be complete without the social element. Many thanks to Dale Phillips, Bruce Coffin, Avram Lavinsky, Hugh Lessig (and wife, whose name I did not get; sincere apologies), Alan Orloff, Art Taylor, Tara Laskowski, and several delightful women whose names I did not get because the combination of my eyesight, lack of ambient lighting, and the positioning of their badges would have required me to violate the conference code of conduct to read them.

 

(Special shout out to Neil Plakcy for being the first person, ever, to guess “W.W.E.L.D.?” means without seeing the clue on the back of the shirt.)

 

Next year’s conference schedule is still up in the air, but the good feelings we picked up at this year’s Malice Domestic made it more than likely we’ll be back.

 

(PS

If you’re in North Bethesda* and in the mood for a burger, BurgerFi is the place to go.

 

* = Rockville south of Randolph Road)

Made in the Shade

 

There are regular venues for Noir at the Bar other than the Shade Bar in Greenwich Village. I have a lot of excellent personal experience with Yonder in Hillsborough NC, and, knowing some of the people who routinely host these events, I’m sure there are others. No offense to any of them, but there’s something special about Shade.

 

I’m a small town boy who avoids NYC at every opportunity, so my feelings toward Shade aren’t a matter of “Everything is better in the Apple” syndrome. Shade has three things going for it, two of which are crucial.

 

1. The atmosphere. I expected a bigger place; what I found was better. The intimacy of the setting means no one is on the periphery, so distractions are virtually non-existent. This is helped considerably by bartender Laurie Beck, who keeps everyone’s glasses full while never disrupting the performances.

 

2. New York City, for all the things that drive me crazy about it (I’ll delve into that in a future blog), is the epicenter of the American publishing world. The publishers and a significant majority of the agents are here, which attracts authors like hummingbirds to sugar water. Shade can draw a top-notch lineup at the drop of a hat, and routinely does.

 

3. Todd Robinson, aka Big Daddy Thug. The founder of Thuglit, Todd has launched more careers than American Idol. The list of well-known authors who got their first stories published there includes (off the top of my head) S.A. Cosby, Hilary Davidson, Johnny Shaw, Jordan Harper, and many more. (And me, but don’t hold that against him.) Todd needs only to put out the word and he’ll have well-known authors (and me) lined up to read for him; the place and time are secondary.

 

This is where I must confess to having prejudice. The first piece of my writing someone paid money for was a short story titled “Green Gables.” Todd passed at first, but liked it enough to work with me to get it over the hump. There aren’t many who do that these days, especially at venues that receive the quantity of submissions Thuglit did. “Green Gables” was selected for the anthology, Blood, Guts, and Whiskey, where I was flattered to appear with Max Allan Collins, Craig McDonald, Stuart Neville, Hilary Davidson, Kieran Shea, Jedidiah Ayres, Dave Zeltserman, and others. That was when it occurred to me that what I wrote might have an audience. I still have a photocopy of the check on my office wall. (The memo line reads, “Loot.”)

 

So, yeah, to me Shade is the Mecca of Noirs at Bars. I was beyond delighted to read last Sunday night, especially to share the stage with such talents as Big Daddy himself, James Grady, S.A. Cosby, Eryk Pruitt, Rob Hart, Tom Schreck, Rob Creekmore, Erin E. Adams, and Galal Chater. My story was well received, but not even The Beloved Spouse™ and I thought it cracked the top half of what was read that night.

 

The evening was well worth overcoming my New York aversion. You can’t understand what high praise that is until you know what we went through to get there, which is a blog post of its own, probably in a couple of weeks.

A Hiatus (Of Sorts)

 

The new Nick Forte novel, Off the Books, is finished, which is good because April is a busy month.

·       The 13^th was Noir at the Bar at Yonder in Hillsborough NC.

·       Jury duty on the 17^th.

·       My first Noir at the Bar at Shade in NYC is this Sunday.

·       Next weekend The Beloved Spouse™ and I will be at Malice Domestic.

·       May 2 (might as well be April) I have oral surgery.

 

May and June are lightly scheduled, but I have a larger dilemma: what to write next? The contenders are:

·       Another Forte novel (or two).

·       A Western. (Seriously. I mean it this time.)

·       A comic novel with three new characters I want to try out.

·       The three-book arc to conclude the Penns River series.

 

All will take research and what movie people call “development.” I had a great time a few years ago dedicating the summer to Western research in multiple forms, and this spring and summer I intend to do the same, but for all of the above books. The one for which a well-formed outline comes together quickest will be the first I write.

 

It will not be a Penns River book. Those three deal with elements I’ve not done much with in the series; significant research is required if I am to do them justice. I also plan to outline the arc of all three together, then flesh out each book as its time comes.

 

Each of the other three (four if both Forte ideas come together) has elements that will be at least somewhat new to me.

 

·       Forte continues to be more willing to find his own forms of justice, as will be seen in Off the Books. He won’t have as much of a support group and his attitude will be more Ray Donovan than Philip Marlowe.

·       The Western will be a novel in stories, positioned as the lost “notes” from a frontiersman’s memoir, “as told to” a writer. Much of it will be historically based, albeit loosely, and I need not only to dig deeper into the relevant history to get it right, but also to see which parts fit what I want Walter Ferguson to do.

·       The comic effort draws inspiration from Terriers, Shane Black and Guy Ritchie films, and Hap and Leonard, with a little Westlake and Butch Cassidy thrown in. Retired cop Pete and his old high school buddy and retired Marine Gunny will get into some serious shit with the girl of their pubescent dreams, Louise. I’ve always had humor in my books – I can’t help myself – but this will be the first time I set out to make humor the primary element.

 

Lots of reading and movie watching are in store, even more than the Summer of Western Research™, because, being retired now, I have a lot more time in which to indulge myself. I’m willing to wait until after the C3 conference in September before I resume actual writing, but that’s not set in stone. As I said above, if a story comes together sooner, I’ll jump right on it.

 

Life is good.

BritBox

 The Beloved Spouse™ and I recently subscribed to BritBox to take advantage of its plethora of outstanding crime shows. We’re three series in and, of course, I have thoughts.

 

Line of Duty. I’d heard enough good about this one that it piqued my interest in BritBox in the first place. Outstanding in every regard, LoD follows Anti-Corruption Unit 12 (AC-12) in a fictional English Midlands city, based on Birmingham. AC units are England’s version of Internal Affairs in the States, and the show focuses on a different angle of police corruption in each season. There is more to say, but noting the common thread that runs between seasons (and occasionally shows wear as time goes on) is a potential spoiler, so I’ll leave that for now. Suffice to say, LoD gets high marks.

 

Karen Pirie. Another winner, if only one season long so far. Based in St. Andrews, Scotland, Karen is a young detective who is assigned to a cold case as a way of brushing off the investigation because she’s both inexperienced and a woman. Needless to say, while Karen is young and inexperienced, she’s also smart and dogged. The quality here is just as good as Line of Duty, with one caveat: you might want to turn on the subtitles. While not Glasgow, the St. Andrews accents are at times indecipherable. We watched the first episode and thought it was okay, then watched again with the subtitles turned on, turned to each other, and said, “Whoa. This is good.”

 

Wallander. One of the two crime series I’d heard a lot about before subscribing to BritBox, along with Prime Suspect, which we haven’t got around to yet. Each episode is a 90-minute movie based on a single novel by Swedish author Henning Mankell, not unlike the series created for Ken Bruen’s Jack Taylor. (Exception: the last two episodes come from the same book, a la the end of the Harry Potter movies.) Filmed on location in Sweden with UK actors, the show stars Kenneth Branagh as Wallander, a detective in the resort town of Ystad who seems to discover more bodies than he’s assigned. Broody and dark, Wallander’s inherent goodness and fallibility come through to make him as human a cop as one is likely to find. As one might expect, Branagh is superb. I’ll have more to say about Wallander, but in a different post, as there will be spoilers.

 

You can’t go wrong with any of these. The only complaint we have with BritBox is the service itself, which some nights makes us kiss ass to watch it; some nights we give up. It’s more reliable on a laptop, but I’m paying for a service to watch its programming on a screen the size of those made before I was born when I have a 65-inch television across the room. Not with my eyesight.