Many writers have reminders or aphorisms within easy sight from their writing desks; I am no exception. Because I know some are curious about writers’ processes and habits (superstitions, even), I thought I’d pass mine along.
From left to right, with my interpretations interspersed:
From Edith Wharton’s “Five Rules for Novelists:”
·
Know your scope
o
Do less better
(A book that tries to be about too much will be about
nothing. Decide in advance what ground to cover and stick to it.)
·
Lead with your characters
o
Dialog is where you learn most about your
characters
(The more the characters talk, the better the reader knows
them. The action is primarily important because of how it affects the
characters. This is why Higgins’s description of action through characters
talking about it after the fact is so effective.)
·
Create peaks and valleys
(Any trip that never changes its speed or scenery becomes
either tedious or exhausting. Break things up. It will place the primary
actions in better contexts and give time to show other dimensions of the
characters.)
·
Have a point
(What’s the book about? Differs from “Know your scope” in
that scope is how much ground to cover; the point is the reason you chose to
write this particular book.)
Dennis Lehane
No one cares
(Except you. Don’t worry what others will think about a
passage or a sentence. No one is going to notice it in the grand scheme of
things except you.)
Wes Anderson (from the film The French Dispatch)
Try to make it sound like you wrote it that way on purpose.
(This will help the prose to flow, making it easier for the
reader to experience your story, as opposed to reading it.)
George V. Higgins (from The Friends of Eddie Coyle)
Jackie Brown at twenty-six, with no expression on his face,
said that he could get some guns.
(Make every word count. In those opening 17 words, we learn
that
·
Jackie Brown is a young man
·
He’s talking about his business, not something
he does for fun
·
His business is selling guns
And we’re off to the races.)
The Sole Heir (placard purchased by her, for me)
If you were in my novel, you’d be dead by now
(If you need to have this one explained, you’re who it
refers to.)
Bonus coverage: TSH also bought me a small notebook I always
keep handy. The cover reads, “If I had a choice to have sex with any celebrity,
living or dead, I would probably choose living.”
(You’re telling stories, not curing cancer. Don’t take any
of this too seriously. Life is short. Have some fun.)
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