The 2025 edition of the Creatures, Crimes, and Creativity
conference is in the rearview. I can’t think of a conference with a more
welcoming atmosphere, or where you’ll get more bang for your buck if you’re
looking to meet and talk with authors while learning about the craft. As an
example, I have as many notes from the two half-days and one full day of C3 as
I have from the two half-days and three full days of Bouchercon.
Kudos go to Austin and Denise Camacho, Cynthia Lauth, and
everyone connected with putting on this gem of a conference, including Susan
McBride for her adept handling of the book sales. Additional shoutouts to
keynote speakers Tom Straw and Jody Lynn Nye, as well as special guests Ellen
Crosby and L. Marie Woods. Their speeches and interviews were entertaining and
enlightening.
What follows are the comments that stuck with me most from
conference panels. If no credit is given, the comment belongs to the most recently
mentioned author.
Tom Straw: If you pitch an idea for a TV script, they may
buy it for you to write, or pay you for the outline and have someone else write
the script.
John le Carré once
said a book is to a screenplay as a cow is to a bouillon cube.
When arbitrating who gets credit for a script, dialog is the
last thing considered.
Thomas A. Burns: There is a difference between factual
distortion and fiction.
Wendy Gee: Let your cops cry. (At appropriate times, of
course.)
Bryan England: Cops who speak to each other in 10 codes are
more than likely part-timers or auxiliaries.
Brian Paone: Tem codes are going away, as every jurisdiction
has their own and the possibility for confusion is too great.
Bryan England: Cops always have their own codes for dead
bodies so people monitoring scanners don’t suddenly start showing up, making
the investigation difficult. (Tony Knighton: Ditto for firefighters.)
Tony Knighton: Firefighters don’t ‘pull hose;’ they ‘stretch
lines.’ They didn’t ‘go to a fire;’ they ‘made a job.’’
Philadelphia firefighters do not respond to ‘cat in tree’
calls unless called by the ASPCA. Even then, all they do is set the ladder.
It’s the ASPCA who climbs the tree.
Wendy Gee: Interference with a firefighter is a felony.
Interfering with law enforcement is typically a misdemeanor.
Tony Knighton: Fire and police departments may have no
direct means of communication. He cited an example where he had to get the fire
dispatcher to call 911 so a police dispatcher could direct a cop to him when
the cop was standing a hundred feet away.
Wendy Gee: The only sense not used at a scene is taste.
Bryan England: Vapo-Rub in the nose only works a little in a
smelly death scene, and even then only until you open your mouth.
First responders are actors, not ponderers. They evaluate as
they act.
John deDakis: A good 911 operator
will pick up on a situation and adjust their questioning accordingly. Example:
if the threat is near to the caller, she’ll ask only yes/no questions.
Bradley Harper:
Some people who have an experience in an altered state – drugs or alcohol, for
example – may remember what happened only while in a similar state.
Glenn Parris:
Alcoholics may fill gaps in their memory with fabrications.
Bradley Harper: Medical
examiners may cover the face and genitals of a corpse out of respect while
doing the autopsy. There is a way to get the brain out through a relatively
small incision in the back of the head if the family wants an open casket
funeral.
Glenn Parris: Even transplants between identical twins
require some form of immune system repression.
Bradley Harper: Identical twins may differ in minor ways due
to how their RNA interprets their DNA.
Louisiana coroners are elected officials who pay others for
autopsies out of appropriated funds; they keep anything left over at year’s
end.
Mike McLaughlin, Glenn Parris, Bradley Harper (consensus
opinion): The most realistic medical shows ever are The Pitt, ER, St.
Elsewhere, M*A*S*H, and Scrubs.
Next year’s conference will be September 18 – 20, 2026. I’ll
be there and, if you read this blog at all regularly, you ought to be there
yourself.
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