Not as many books as
usual to cite in Q3, mostly due to the research needed for returning to the
Penns River series and wanting to re-acquaint myself with procedure.
Stick,
Elmore Leonard. If you want to introduce someone previously unfamiliar
to Leonard’s work, Stick is as good a place as any. This was my first
reading, and it felt like visiting an old friend. Everything that made Leonard
Leonard is here and artfully executed.
400
Things Cops Know and Police
Craft, Adam Plantinga. I meant to skim these, as I’ve read both several
times. Wound up re-reading them virtually cover to cover. If Plantinga ever
tires of writing best-selling fiction – and I see no reason he should – he
could make a nice living as lecturer/stand-up comic. Both books are full of
information TV and movies should be more familiar with while being laugh out
loud funny. Even if you have only a casual interest in police work, they’re
fun; for crime writers they should be required.
Fire
in the Hole and Other Stories, Elmore Leonard. I don’t remember what
brought me back to Leonard so quickly; probably something to do with the TV
show Justified, which was based on the short story “Fire in the Hole.”
Whatever it was, this was time well spent. I read this collection when it was
first released under the title When the Women Come Out to Dance and
found it just as satisfying the second time around. I mentioned above that Stick
was a good entry point for those unfamiliar with Leonard’s work. This
collection may be where to start if you’re interested and not all that much
into crime, as several stories have little or no criminal activity.
The
Score, Richard Stark. I am routinely amazed when reminded the same man
who wrote the Dortmunder comedic novels also write the Parker heist stories.
Parker is the ultimate pragmatist/sociopath, carefully analyzing each job
before accepting it, then doing whatever is necessary to bring about a
satisfactory conclusion. For him. While he will some consideration to those he
knows and trusts, his first and middle names could well be “Collateral Damage.”
The writing is as smooth and unobtrusive as one would expect, with occasional
bits of dry humor. I’ll be back.


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