Showing posts with label walter mosley. Show all posts
Showing posts with label walter mosley. Show all posts

Friday, July 24, 2026

Favorite Reads, Spring 2026

 I’m a little late with my Q2 list. That doesn’t mean I had trouble finding books to recommend. On the contrary, it was a good quarter.

 The Big Empty, Robert Crais. I’ve been a fan of Crais’s work for over twenty years. His consistency is such I’m hard pressed to say which of his Elvis Cole books is my favorite. Until now. The Big Empty is the work of a master of the craft at the peak of his powers. Not only is this a compelling story with characters as well drawn as any in the literature, Crais handles with aplomb things that cause even the best of writers to stumble, such shifting points of view and timelines. Even if you’re not typically a fan of PI fiction, do yourself a favor and read this one.

 Mirage City, Lev AC Rosen. A new voice to be reckoned with in the PI genre. Rosen sets his novel in the gay community of Los Angeles in the 1950s, when homosexuality was still a crime. The story is complex and well told, and Rosen never stoops to preaching. The issues of the time – more than a few of which still linger, though not officially – are described matter of factly to allow the reader to draw his or her own conclusions. Outstanding book. I’ll look for his earlier novel.

 Gray Dawn, Walter Mosley. There aren’t any compliments for Mosley’s Easy Rawlins novels that haven’t already been said, so I’ll leave it at this: Gray Dawn has everything one would expect from a Rawlins novel without seeming repetitious in any way. Easy’s family life evolves, but he still reaches back to former acquaintances for help when needed. His name may be misleading – things are never easy for Mr. Rawlins – but reading Mosley’s books is never a chore. The writing flows like water over a cliff. No oner does a better job of putting readers firmly in a place they’ve never been.

 Hatchet Girls, Joe Lansdale. Hap and Leonard ride again. I don’t know if there’s anything exceptional about this book when compared to the rest of the Hap and Leonard oeuvre – except maybe the premise – but the voice is so comforting and familiar to readers of the series that you feel like you’ve settled in with an old friend you haven’t seen for a while by the time you finish the first page.

 Crooks, Lou Berney. This book is currently on all kinds of award lists, and deservedly so. The story of a family of, well, crooks, who are proud of their heritage and happy to work together to enhance it. Berney’s writing is easy on the eyes and the story – stories, actually – each could stand alone as novellas. In Berney’s deft hands a framing story ties everything together as the children make their own ways after Mom and Dad had set their courses. Crooks proves a book can be great fun and still thought-provoking.

 At Their Own Game, Frank Zafiro. Why isn’t this guy better known? He’s worked on multiple crime series himself and collaborated on two others (that I know of) and I’m hard pressed to say one is better than the other. Usually a police procedural writer, At Their Own Game takes the POV of a cop turned criminal to examine both sides. The story is complex, with several twists I didn’t see coming until I found myself mumbling, “Of course,” though I never felt adrift. If you’re not familiar with Zafiro’s work, you’d be wise to take a look. Everything he writes is good.

 The Killing of the Tinkers, Ken Bruen. I picked this up at a used bookstore shortly after I heard of Bruen’s death. Two chapters in I realized I’d read it before but never thought of stopping. Jack Taylor is Jack Taylor, and sometimes Bruen makes him suffer more than he should, but Bruen’s ability to tell a tragic story with a little whimsy, and his unsurpassed control of the language, make everything he wrote a treat. His passing is a great loss.

Thursday, January 2, 2014

December’s Best Reads

In the order in which I read them:

Crooked Numbers, Tim O’Mara. The second book of what is shaping up to be an excellent series. He has a franchise brewing here. Don’t be surprised to see Raymond Donne on television someday. You heard it here first. (Unless you already heard it elsewhere. This is the first I’ve heard of it.)

Saturday’s Child, Ray Banks. All the Cal Innes stories were offered on sale for Kindle a few months ago; I’m working my way through them. I’m a big Banks fan, and this early work was no disappointment.

Devil in a Blue Dress, Walter Mosley. I tried reading Mosley about ten years ago, couldn’t get into it. Either I’ve grown, or he’s gotten better. Considering this was written before I first read him, my money is on Option A. Easy and Mouse are now in the rotation.

I’d Know You Anywhere, Laura Lippman. Not sure what to say here. A psychological thriller on multiple levels, wonderfully written and crafted (as usual) by Lippman. Still, I feel I like this book better now than when I was reading it. Some of the characters’ motivations are suspect, though things work out in the end. I almost put it down a couple of times, but I had to see what happened next, which is a pretty good enforcement of any book, when you think about it.

On Monday I’ll list my best reads of 2013. I know everyone else has done this already, but I’m not into this whole instant gratification thing.