It’s not fair to either of them, but people tend to think of
Tom Pitts and Joe Clifford in tandem. This is partly their fault, as they’re
fucking inseparable. (Yeah, I know. I’m usually pretty safe for work in these
interview intros, but Clifford fucking brings it out in people, you know?) So
even though it’s not fair and I love both these guys, as soon as I booked Tom
for last week’s interview (prodded by the release of Coldwater), it occurred to me I hadn’t had Joe on the blog for a
while and more good stuff happened to him in a short period of time than can be
grasped by a single human mind, so I got him for today. Which puts them here as
a tandem, which is what I just said was unfair. So I’m a prick. Fucking sue me.
Anyway, Joe doesn’t need much more introduction, as the
interview touches on just about every aspect of his life except for his
unhealthy fascination with Taylor Swift, which I didn’t ask about because…maybe
you should seek help yourself if I have to explain it. Here’s Joe.
One Bite at a Time:
You probably thought I was kidding on Facebook when I said this would be the
easiest interview I ever did. Your life has been so action-packed the questions
wrote themselves. Let’s start with congratulations. I have as much respect for you
as I do for anyone I know and to say you deserve all this is an understatement.
Joe Clifford: Stop
it. You’ll make me cry. Seriously. Why are the insults always so much easier to
take than the compliments? But thank you.
OBAAT: The news
that probably got the most attention is your fifth Jay Porter Rag and Bone, receiving a nomination for
the International Thriller Writers’ Award for Best Hardcover novel. I suspect
you’ll admit that the Porter books, while well received, may not have sold as
well as they might because a lot of people found Jay to be unlikable. Does
this nomination provide some validation, that there are people who get Jay and
understand what you were going for?
novel,
JC: Dude, that
was fucking nuts. The last thing I
would’ve expected. I frequently am looking for good news from, as Tom Pitts
likes to say, “the e-mailman.” It rarely comes. That morning I got the news
from ITW, I was bleary-eyed, Day 39 whatever of Marchtober or whatever fucking
month. Gobsmacked. Which is not a word I use lightly. Not a word I use, really,
but can’t think of a better one. I sorta keep waiting for a correction email
saying they made a mistake!
But to answer your question? Fuck yeah. The books sold okay,
but, no, they didn’t earn USA Today
Bestseller status, and I think my publisher, Oceanview, would say the same.
The books sold fine. We were hoping for more. Which is cool. That’s a lot of
books. I was appreciative that I had a nice loyal group of readers who picked
up each new Porter, but you’re right, that one criticism I heard, over and
over, was “he’s unlikable,” he being my protagonist Jay Porter. And honestly?
After a while it started to get to me. I understand the books are not for
everyone, but I also feel like, sometimes, that “unlikable” tag can be a
copout. No, Jay isn’t likable. He makes some bad decisions. Like a lot of
people I know. Like, well, me. I strove less to make him likable than I did
“believable.” If there was a silver lining it’s that. I didn’t hear much “Well,
I’d never believe someone like him would do that.” It was more, “Yup. Of course
he did that. He’s an asshole!”
Anyway, I won’t ramble so much for the rest of the
questions. I could’ve just answered yes. Yes, I am very happy that there are
some people who “get” Jay Porter enough to bestow upon me this tremendous honor;
it’s fucking humbling.
OBAAT: I’ve had a
couple of Shamus nominations and, while it’s a letdown to hear someone else’s
name, I never felt like the nomination wasn’t sufficient notice, even though I
did want each undeserving winner to have an aneurism and die on their way to
the podium. (Not that I’m bitter.) I don’t want to jinx you—I’m assuming you’re
going to win—but should the unspeakable happen and you don’t, you’re not going
to be one of those who feels like you lost something, are you?
JC: There’s not a
fucking chance in hell I win. Did you see those other names? Blake Crouch had a
show on TV with Matt Dillon. And a second season with Jason Patric. And
Baldacci has been translated into more languages than are currently known (I’m
approximating that number). And the rest of the writers? Are you kidding me? A
who’s who list! I know it’s cliché to say “honor just to be nominated.” I
always say shit like that. Like when someone else is sick and you’re like “Aw,
I wish it was me not you.” I never mean it. Except when I had kids. Now I
really would prefer I got sick
instead of them. And I mean it this time with the “it’s an honor just...” And I
am fine with that. Of all the
mysteries and thrillers released? To be one of the six Best Hardcovers of the Year? Yeah, I won’t go back to shooting
heroin if I “lose.” I’ll Gloria Gaynor that shit.
OBAAT: You also have a new book deal, for Shadow People. Tell us a little about
the book, the deal, and when we can expect to see it.
JC: When I was strung
out on speed, which was in between/during the heroin stuff (and cocaine) back
in the 1990s, well, that shit is bad. Obviously. But it makes you see shit.
Like really see shit. And you know
it’s not there. Except … it is. And I can’t explain that if you haven’t done a
shit-ton of meth but something happens. You cross over worlds. And I know that
sounds insane, and it is. But that’s the thing with speed: you go crazy. It’s
in the minutia. You focus on the dot and the dots that makes up that dot, until
you are so zeroed in you’re … seeing … the inside of the inside. And people
will call that hallucination. And it was. I’m not maintaining I was in a
parallel universe. But as clear as you see that coffee cup or pen, I’d see
people who may or may not have been there. And I’d talk to them. And I’d see
cats, and they’d be all automaton-ic, dripping green ooze and moving all
robotic, and then it would turn out to be a shirt. But the thing is when you
are living like that? It’s fucking real. So you live in this Dali painting, and
some days, your … mind … takes you somewhere wonderful. But after a while, it
drags you to your worst fears, deepest hells. Interestingly enough, this is the
same sensation schizophrenics
experience. And I’ve known a lot of
them. Was married to one. The guitarist in my first band suffered. Horrible
affliction. So using my firsthand … experience … with the symptoms, I crafted a
narrative about a schizophrenic who witnesses a crime, and then it’s up to his
friend to separate reality from fiction. Basically it’s a road trip novel with
an uptight college student and the dude’s equally schizo grandpa, who’s made
peace with his disease. So, y’know, a laugh riot.
OBAAT: Keeping
the roll going, you sold the audio rights to The Lakehouse five months before the book is scheduled to drop.
That’s Michael Connelly/Dennis Lehane action there. What’s the scoop and do you
know who’d going to read it yet? I have a soft spot for Gilbert Gottfried.
JC: Lol. That
reminds me of when Gottfried read 50
Shades of Gray. I’ve been very lucky with narrators. Timothy McKean, who’s
done most of my books and is fantastic, and Jennifer Jill Araya, who did a knockout job with The One That Got Away. Dreamscape has the rights to the new one,
and they are as big as it gets, so I have no doubt whomever they choose will be
equally terrific.
OBAAT: A new
edition of Junkie Love popped to
Number One on Amazon when it came out. I read the original about five years ago
and there are few books that have affected me as much, thanks to its
unvarnished look at the life of a junkie and getting clean. What prompted the
second edition?
JC: It wasn’t our
intention—“our” being me and Fawn Nuen, who runs Battered Suitcase (publisher
for JL), but I think it turned into a New Coke kinda deal. So we had the
original Junkie Love with the black
cover and syringe, and Fawn and I always thought maybe that cover was a little too … graphic? Anyway, I had this old
Polaroid taken by Gluehead (my speed dealer, who got his nickname as a kid
because of a bad haircut. Pre-destiny, I guess), with my ex-wife (Cathy in the
book) and me and there’s fire all around us, a photography trick Glue employed.
Anyway after my brother died, I wanted to update JL, and so I wrote a new intro and significant Afterword, and we
released a second edition. Which did fine. But then people were all, “I can’t
find the original!” Which was funny because I didn’t change the main text, just
augmented with additional material, like ten percent more! So then we brought
back our original Coke, which I guess people had cued for alerts or some shit,
and so the original became a “new release” (like Spinal Tap and the “New
Originals”), and we sold a bunch.
OBAAT: I saved
this one for last, but you also got a record deal. I’m a recovering musician
while you have remained active, but I suspect this might have been the news
that jazzed you up more than the rest. Spill so I can have another reason to
hate you.
JC: I might’ve
oversold that one! Steve Coulter put together a lo-fi compilation record to
help benefit musicians out of work because of COVID. Originally it was just
this thing going up band camp. Then Big Stir Records picked it up. So, yeah, as
I guy who started out wanting to be a rock-and-roll star, desperate to be
picked up by a label, and falling far short… Fast forward thirty years, and now
I’m a crime writer, and dream comes true. But really it’s a great cause, super
cheap, and it was a blast! Some AMAZING company on this one. Not sure Big Stir
will be putting out the next Wandering Jews record. But I won’t lie. Each
morning, I check my email kinda sorta hoping maybe… Quarantine
Sessions
OBAAT: I recently
interviewed Tom Pitts and asked him this same question. I’m asking you before
his interview comes out so we can get a weird Newlywed Game vibe going: You and Tom go way back, well before you
were writers. How did you meet and how did your paths to becoming acclaimed
writers vary? Or were similar?
JC: I feel like
this is asking for another Batman origin story. Not sure anyone wants to hear
it? But … yeah, Tom and I were junkies and we met at Hepatitis Heights and…
Tell you what? Let’s just close with a line I wrote about Tom from Junkie Love. Because it was fucking true
then. And it’s fucking true now, except minus the dope: Tom Pitts was a rare
breed: a reliable doper. Meaning you could trust Tom with you money, your girl,
your dope, your everything. He’d never rip you off or do you wrong. He was true
blue then. And he’s fucking true blue now. He ain’t heavy; he’s my brother...
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